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XU YANG | THEREFORE I AM: Dio Horia Gallery is pleased to present the solo exhibition of London-based Chinese artist Xu Yang, entitled 'Therefore I Am'. Xu’s first solo exhibition in Greece is focusing on the never-ending journey of identity, passion and power.

Past viewing_room
4 May - 3 June 2022
  • The exhibition showcases the results of the artist’s residency at Dio Horia (April 2022), and opened on May 4th, in the presence of the artist. Xu delivered a location-based performance during the opening of the show, sharing her extravagant, luxuriously fine aura with the audience.

     With a solid background in classical composition and landscape techniques, the artist’s meticulously layered canvas is filled with luscious, thick brushstrokes, offering an end result resembling a decadent cake, directly influenced by Rococo’s elaborate ornamentation, curved lines, and a pastel color palette that helps illustrate actions and bring fantasies to life.

    Starting from a place where the sex/gender distinction is collapsing, there is no “natural body” pre-existing its cultural inscription. For, as per J. Butler, bodies are gendered from the beginning of their social existence, there is no existence that is not social, and there is no sex that is not always already gender. In this way, the artist offers an active perspective that is ultimately political, pushing boundaries, challenging & delicately directing the way the viewer experiences and interprets the phenomena that they observe.

    Quoting the artist, “This show, it is my presence; behind thinking, there is a conscious construction.” Or, in other words, Creo, Ergo Sum [I create, therefore I am].

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    • Xu Yang, Self-portrait: An act of resistance, 2022
      Xu Yang, Self-portrait: An act of resistance, 2022
    • Xu Yang, Self-portrait: Stitching, 2022
      Xu Yang, Self-portrait: Stitching, 2022
  • Xu Yang, Self-portrait: There is in the soul a desire for not thinking, 2022
    Artworks

    Xu Yang

    Self-portrait: There is in the soul a desire for not thinking, 2022
    Oil on linen
    140 x 110 x 4 cm
    55 1/8 x 43 1/4 x 1 5/8 in
  • Sharing the same name with one of the Qianlong Emperor’s leading artists, who was recruited as a court painter in...

    Sharing the same name with one of the Qianlong Emperor’s leading artists, who was recruited as a court painter in 1751, Xu Yang chooses to join in the entourage of emblematic female figures of the 18th century, such as Marie Antoinette and Madame de Pompadour, and communicate the social & gender hierarchies shift that their power and influence represented.

    • Xu Yang, Read no.5, 2022
      Xu Yang, Read no.5, 2022
    • Xu Yang, Read no.3, 2022
      Xu Yang, Read no.3, 2022
    • Xu Yang, Read no.2, 2022
      Xu Yang, Read no.2, 2022
    • Xu Yang, Touch no.10, 2022
      Xu Yang, Touch no.10, 2022
    • Xu Yang, Touch no.6, 2022
      Xu Yang, Touch no.6, 2022
    • Xu Yang, Touch no.11, 2022
      Xu Yang, Touch no.11, 2022
  • While the performative post-structural aspect is found to be temporal, our core is timeless and universal, and as the artist regards her constructed identity and performance as an artwork, she makes use of manual photoshopping, in a postmodernist pastiche that brings together Instagram pop culture and stereotypes of female beauty, silicone boobs, lush dresses, hip-pads, fetish petticoats and classical sculpted busts. All-in-all, the artist’s oil paintings incorporate diverse elements to which separate groups may relate — connecting to the drag element, the queer identity, surgery & body modification, makeup, fashion or female narratives, respectively — upscaling her symbolism to universal-level status.

  • Xu explores the construction of identity, from an expansive performative standpoint, relinquishing the vulnerability of a receptive feminine position and...

    Xu explores the construction of identity, from an expansive performative standpoint, relinquishing the vulnerability of a receptive feminine position and embracing empowerment, drawing mainly from a movement traditionally dominated by women’s tastes, as well as the teachings of eminent female artists — from Elisabeth Le Brun and Anna Costa to Claude Cahun and Cindy Sherman — and drag performance.

  • DOWNLOAD PRESS RELEASE IN ENG & GR

     

     VIEW THE EXHIBITION

  • ABOUT THE ARTIST

    ABOUT THE ARTIST

    Xu Yang (b. 1996, China) lives and works in London, U.K. She received an MA in Painting from the Royal College of Art (2018-2020) and a First-Class Honours BA in Painting from Wimbledon College of Arts. Xu has been the recipient of several awards; in 2019, Xu received the Highly Commended award at the Air Gallery Open and she was the winner of Barbican Arts Group Trust Artwork Open 2019. Xu’s work explores childhood fantasies, fetishes and identity, through painting, photography, and mixed media, taking history and mysticism as a starting point. Her practice is driven by a desire to ‘resuscitate’ Rococo styles and sensibilities, painting unapologetic female figures in a lavish, extravagant style. Her works have been featured in numerous exhibitions around the world and presented in various international art publications like Vogue Singapore, Elephant Magazine, Fad Magazine, The Sunday Times Culture, among others.

DIO HORIA GALLERY

 

5 – 7 Lempesi & 16 Porinou St

Acropolis, Athens

 

info@diohoria.com

+30 210 9241382

DIO HORIA PROJECT SPACE

 

16 Mantzouraki St, 11524 

Nea Filothei, Athens

 

info@diohoria.com

+30 210 6714827

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