Maja Djordjevic (b.1990,Belgrade) lives and works in Belgrade and London. Djordjevic is known for her digitally-native aesthetic sensibility and her innate ease within the realms of computer-generated visual syntax and digital manipulation. Djordjevic’s work has from the very beginning directly engaged with the legacies of deskilling, net art, and feminist figuration.
She has completed her Bachelor and Master studies at Faculty of Fine Arts (Painting) in Belgrade. She has participated in various solo and international exhibitions including We Used to Gather, Library Street Collective, Detroit 2020, Deal Again, Solo exhibition and Residency, Balkan Projects, LA, Look At This, group Show, Skip Gallery, Arts Building, London, 2019, Nothing to Wear, Installation, Selfridges Department Store, 2019, Post Digital Pop, group show curated by Sasha Bogojev with Mark Chalmers, The Garage, Amsterdam, 2019, Malmö Sessions, group exhibition, Carl Kostyál Gallery, Malmo 2019 and at the 57th October Art Salon,Biennial exhibition, Belgrade. Her work has been featured on Juxtapoz, Abstract, Time Out London and many other art publications. She has received two awards for Painting the former being the Ristai Beta Vukanović prize and the latter from the Faculty of Fine Arts in Belgrade.